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Thursday |
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| 12:00 - 12:30 | Registration | ||||||
| 12:30 - 1:00 | Opening Remarks: R.L. Rutsky | ||||||
| 1:00 - 2:00 | Panel 1: Auteurs & Realism in the Digital Age
Laura Moses: Towards an Aesthetic Definition of the Hyperreal in Richard Linklater’s Digital Cinema Bruno Lessard: Digital Kiarostami: Defining the Modalities of Indeterminacy Moderator Jennifer Hammett |
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| 2:00 - 2:15 | Break | ||||||
| 2:15 - 3:15 | Panel 2: Digital Subversion
Justin Mendoza: Posted Pastiche: Stolen Images as Subversion and Creating Community in the Age of YouTube Melanie Saeck: Morimura’s Digital Inversions Moderator Aaron Kerner |
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| 3:15 - 3:30 | Break | ||||||
| 3:30 - 5:30 |
Panel 3: Digital Criticism
Summre Gaston: Robotic Femmes
Justin Mendoza: Through the Rabbit Hole
Daniel Steves: The Spectacular Films of John Greyson – A Critical Discourse in HTML
David Church: Singapore Sling: Narrative, Noir and Destructive Desire
Liam Colle: Infernal Departed
Laura Costantino & Zeynep Yasar: Women (‘s) Love
Moderator: R. L. Rutsky |
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| 5:30 - 7:30 | Evening Reception | ||||||
Friday |
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| 9:00 - 9:30 | Registration / Breakfast Opening | ||||||
| 9:30 - 12:00 | Lynn Hershman Leeson: Strange Culture & Keynote Presentation | ||||||
| 12:00 - 1:00 | Lunch Reception | ||||||
| 1:00 - 2:00 | Panel 4: The YouTube World
Kate Balsley: The Amateur Avant Garde: How YouTube Encourages Experimentation and Innovation Bryan Brown: Becoming a “Friend”: The Filmmakers’ Blog and its Impact on Filmmaking Moderator Mary Scott |
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| 2:00 - 2:15 | Break | ||||||
| 2:15 - 3:15 | Panel 5: National Cinemas
r. Amit Kumar: New Technologies, Old Ideologies: Indian Cinema in Digital Age Fiona Lee: Malaysian Independent Filmmakers: Democratizing National Cinema through Digital Films Moderator Jenny Lau |
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| 3:15 - 3:30 | Break | ||||||
| 3:30 - 4:30 | Panel 6: Digital Aesthetics
Marcy Saude: Limning Cinema: Matthew Barney’s Cremaster Cycle John Laughlin: FraudCast Yourself: The Spectacle of YouTube and the Case of lonelygirl15 Moderator Tim Sika |
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| 4:30 - 4:45 | Closing Comments Selena Dickey | ||||||