Bibliography - Art, Science,Technology

  • Artists' Work 
  • Art Festivals, Competitions, & Shows 
  • Art Organizations, Journals, Research Centers, Research Organizations, Aternative Science 
  • Online Essays - Theory Resources - Syllabi 
  • Introduction to Emerging Research Areas of Interest to Artists (Technological & Artistic research in GPS,Biotechnology, Biosensors, Materials Science, Wearable Computing, Ubiquitous Computing, etc)
  • Bibliography in Art, Science, and Technolgy  ****this document **** 

    • Compiled by Stephen Wilson, Professor, CIA Program , Art Dept, San Francisco State University
    ###Note these links are part of the research for Wilson's  book Informati on Arts (MIT Press, late summer, 2002). Please see the book formore details about the artists, organizations, and texts listed in these links and for extended analysis of the relationship of art and research.  The links are constantly being revised and suggestions are welcomed. Feel free to use these resources but please attribute source. Copyright, 1999-2004 Stephen Wilson.


    Art & Science, Art & Mathematics

    Ascott, Roy.  Technoetic Arts. http://www.intellectbooks.com/journals/technoetic/index.htm
    Ascott, Roy (ed)  Art, Technology, Consciousness: Mind @ Large.   Portland: Intellect Books, 2000.
    Ascott, Roy.  Engineering Nature: art & Consciousness in the post-biological era. Bristol: Intellect, 2006
    Barron, S    téphan. Toucher l'espace, poétique de l'Art Planétaire, Ed. L'Harmattan, novembre 2006
    Benthall, Jonathan, Science and technology in art today. New York: Praeger,1972
    Bijvoet, Marga, Art as inquiry : toward new collaborations between art, science, and technology. New York: Peter Lang, 1997.
    Bronowski, Jacob. The Visionary Eye : Essays in the Arts, Literature and Science. Cambridge: MIT Press, 1978
    Bronowski, J acob. Ascent of Man. Boston: Little, Brown,1974
    Burke, James. Connection. Boston: Little Brown, c1978
    Caglioti, G. Dynamics of Ambiguity. New York: Springer-Verlag, 1992
    Cassidy, Harold Gomes,The sciences and the arts; a new alliance. New York: Harper, 1962
    Clarke, Bruce   and Linda Dalrymple Henderson (eds.).  From Energy to Information: Representation in Science and Technology, Art, and Literature  Stanford: Stanford  University Press, 2002
    Curtin, D.W. (ed.) The Aesthetic Dimesnion of Science New York: Philsophical Library, 1982
    Ede, Sian.  Art and Science, I B Tauris & Co Ltd. London, 2005
    Emmer, Michele. Visual Mind: Art and Mathematics. Cambridge : MIT Press, 1993
    Emmer, Michele. Visual Mind II.  Cambridge : MIT Press, 2005
    Field, J.V. Science in Art: Works in the National Gallery that Illustrate the History of Science and Technology. Stanford in the Vale: British Society for the History of Science, 1997
    Frankel, Felice.  Envisioning Science: The Design and Craft of the Science Image.  Cambridge: MIT Press,  2002
    Gould,Stephen Jay and Rosamond Purcell. Crossing Over: Where Art and Science Meet. New York: Three Rivers Press, 2000
    Graubard, S. Art & Science. New York: Daedalus, 1988.
    Gyr,  A. , P.D. Koumoutsakos and U. Burr. Proceedings of the Science and Art Symposium   Kluwer Academic Publishers, 2000.
    Hartal, Paul, The Brush And The Compass : The Interface Dynamics of Art and Science. Lanham: University Press of America,1988.
    Herdeg, Walter, The Artist In The Service Of Science. .Z??rich:he Graphis Press, 1973
    Henderson, Linda Dayrymple. The Fourth Dimension and Non-Euclidean Geometries in Modern Art, Princeton: Princeton U. Press, 1993  
    Henderson, Linda and Bruce Clarke (eds.)  From Energy to Information: Representation in Science and Technology, Art, and Literature.   Stanford: Stanford  University Press, 2002. 
    Hoffmann, Roald and Vivian Torrence.  Chemistry Imagined.  (Smithsonian Institution Press).
    Ihde, Don and Evan Selinger (eds). Chasing Technoscience  2003
    Ihde, Don. Expanding  Hermeneutics: Visualism in Science.  1998
    Ivens, W. Art and Geometry. Cambridge: Cambridge U. Press, 1986
    Jacob, Opper. Science and the Arts; A Study in Relationships from 1600-1900. Rutherford [N.J.] Fairleigh Dickinson University Press [1973]
    Johnson, Martin, Art and Scientific Thought; Historical Studies Towards a Modern Revision of Their Antagonism. New York: AMS Press, 1970
    Kemp, Martin.  Visualizations: The Nature Book of Art and Sceince, UC Press, 2001
    Kepes, Gyorgy. Structure in Art and in Science. New York:G. Braziller,1965
    Kepes, Gyorgy. New Landscape in Art & Science. Chicago, P. Theobald. 1956
    Krawczyk, Robert.  The Art of Spirolaterals.
    Rob la Frenais &  Nicola Triscott (ed). THE ZERO GRAVITY HANDBOOK?: A Cultural User's Guide. London,   Cornerhouse Publications - http://www.cornerhouse.org
    Leyton, Michael A Generative Theory of Shape.  Springer-Verlag
    Maeda.,John.  Design by Numbers.  Cambridge, MA:MIT Press, 1999
    Meyers, A.  Art and science in America: Issues of Representation
    McConnell, R.B. Art, Science, and Human Progress. New York: Universe Books, 1987
    Miller, A. I. Insights of Genius: Imagery and Creativity in Science and Art. New York : Springer Vertag,1996
    Miller, A.  Einstein Picasso: Space, Time, and the Beauty that Causes Havoc 2002
    Pollock, Martin (ed,) Common Denominators in Art and Science. Aberdeen: Aberdeen University Press, 1983
    Eileen Reeves. Painting the Heavens: Art and Science in the Age of Galileo. Princeton: Princeton Univ. Press,1997
    Richardson, John. Modern Art and Scientific Thought. Urbana, University of Illinois Press, 1971
    Rothstein, Edward. Emblems of Mind: The Inner Life of Music and Mathematics. New York: Times Books, 1995
    Rhodes, L. Science Within Art. Bloomington: Indiana University Press, 1980
    Rhys, Henry (ed). 17th Century Science and the Arts. Princeton: Princeton U PRess, 1961
    Richardson, John Adkins, Modern Art and Scientific Thought. Urbana: University of Illinois Press,1971
    Rieser, Dolf, Art and Science. New York: Van Nostrand Reinhold, 1972
    Robbin, Tony.  Shadows of Reality: The Fourth Dimension in Relativity, Cubism and Modern Thought. Yale University Press, New Haven,  2006
    Ross, Alan Strode Campbell(ed) Arts vs. Science: a Collection Of Essays. London, Methuen, 1967
    Schlain, Leonard. Art and Physics. New York: Morrow, 1991
    Shanken, Edward A..   Telematic Embrace:  Visionary Theories of Art Technology and Consciousness.  UC Press, 2003
    Shirley, John W. F. and David Hoeniger. Science and the Arts in the Renaissance. London : Associated University Presses, 1985
    Sakane, I.   Kakuchou Sareta Jigen: Geijutsu to Kagaku no Soukoku wo Koete (The Expanded Dimension: Beyond the Conflicts of Art and Science).   NTT Publishing, Tokyo, Japan, 2003  (Japanese)
    Scientific American. Special Issue on Science & Art
    Scott, Jill (ed).  Artists in the Lab. SpringerWienNewYork, Wien, Austria, 2006.
    Simonton, Keith.  Origins of Genius: Darwinian Perspectives on Creativity.
    Siukone, Jyrki.  Uplifted Spirits, Earthbound Machines: Studies on Artists and the Dream of Flight, 1900--1935.  Suomalaisen Kirjallisuuden Seura, Helsinki, Finland, 2001
    Smith, Cyril Stanley. From Art to Science: Seventy-Two Objects Illustrating the Nature of Discovery. Cambridge: MIT Press, 1980
    Smith, Cyril Stanley. A Search for Structure : Selected Essays on Science, Art, and History. Cambridge: MIT Press, 1983
    Snow, C.P. The Two Cultures and the Scientific Revolution Cambridge: Cambridge University Press, 1959
    Strosberg, Elaine.  Art and Science.  Abbeville Press,2001
    Tauber, Alfred. The Elusive Synthesis : Aesthetics and Science. Boston : Kluwer, 1996
    Triscott, Nicola and Rob la Frenais. ZERO GRAVITY : A Cultural User's Guide.  Arts Catalyst, London
    Vitz, Paul C.,1984. Modern Art And Modern Science : The Parallel Analysis Of Vision. New York: Praeger, 1984.
    Waddington, Conrad Hal., 1970. Behind Appearance; a Study Of The Relations Between Painting And The Natural Sciences In This Century. Cambridge:, MIT Press 1970
    Wagner, Cahterine. Art and Science: Investigating Matter. St. Louis: Nazereli Press , 1996
    Washburn, Dorothy and Donald Crow. Symmetries of Culture. Seattle : University of Washington Press, 1988
    Wellcome Trust. Talking Back to Science: Art, science and the personal . London, 2004  (link)
    Wellcome Trust.  Experiment: conversations in art and science. London, 2005  (link)
    Weschler, Judith (ed.). On Aesthetics in Science. Cambridge: MIT Press, 1979
    Wilson, Stephen. Great Moments in Art and Science (forthcoming)
    Wilson, Stephen.  Information Arts: Intersections of Art, Science, and Technology.  Cambridge:, MIT Press 2001
    Zee, Anthony. Fearful Symetry. The Search for Beauty in Modern Physics. New York: MacMillan, 1986.
    Zelevansky, Lynn Ed., BEYOND GEOMETRY: EXPERIMENTS IN FORM, 1940s-1970s.The MIT Press, Cambridge, MA, 2004
     

    Art and Technology, Art and Computers, Networks

    ACM, Special Interest Group on Computer Graphics (SIGGRAPH). Visual Proceedings (Including Art Show Catalogs), 1980 - 1999
    Alexenberg, Mel. future of art in a digital age: from hellenistic to hebraic consciousnes. Intellect Books, 2006
    Arnould, Jacques.  La seconde chance d'Icare. Pour une Èthique de l'Espace, Les Editions du Cerf, Paris, 2001
    Ars Electronica. Cyberarts: (Catalogs of Symposium and Prix Awards). 1990-1999
    Arts Council- England.  Pioneers in Art and Science Series  (dvd)
    Ascott, R. and Carl Loeffler. ??Connectivity??. Special Telecommunications Issue of Leonardo, Leonardo, 24(2), 1991
    Benkler, Yochai. The Wealth of Networks: How Social Production Transforms Markets and Freedom.
    Bakke, Monika (ed). Going aerial - Air, art, architecture - http://bookshop.janvaneyck.nl
    M. Balaban, K. Ebcioglu, and O. Laske (eds.) Music with AI: Perspectives on Music Cognition Cambridge: MIT Press,1992
    Barney, Darin. The Network Society (Key Concepts).
    Bentkowska-kafel, trish cashen & hael gariner (ed). digital art history Intellect books 2005
     Beardon , Colin and Lone Malmborg, eds Digital Creativity: Innovations in Art and Design.  Swets & Zeitlinger,Lisse, The Netherlands, 2002
    Berger, Ren?? and Lloyd Eby (eds.) Art and Technology. New Yor : Paragon House Publishers,1986
    BOOTZ, Philippe .  LES BASIQUES : LA LITTERATURE NUMERIQUE, (The Basics : Digital Literature)
    Bredekamp, Horst, The Lure Of Antiquity And The Cult Of The Machine. Princeton: Markus Wiener Publishers, 1995
    Brouwer, Joke , Arjen Mulder, Anne Nigten (eds.) - aRt&D: Research and Development in Art. Rotterdam: V2, 2005
    BUREAUD, Annick & Nathalie MAGNAN. CONNEXIONS : art - rÈseaux - media
    Burnham, Jack. Beyond Modern Sculpture. New York: G. Braziller, 1968
    Burnett, Robert and P. David Marshall. Web Theory.  Routledge: New York, 2003
    Chandler, Annmarie & Norie Neumark. At a Distance‚Preecursors to Art and Activism on the Internet. MIT Press, Cambridge, MA, 2005
    Cohen, Harold (written with Pamela McCorduck) . Aaron's Code: Meta-Art, Artificial Intelligence, and the Work of Harold Cohen.
    Cope, David. Computers and Musical Style. Madison: A-R Editions, 1991
    Cope, David. Experiments in Musical Intelligence. Madison: A-R Editions, 1996
    Davis, Douglas. Art And The Future; a History/Prophecy Of The Collaboration Between Science, Technology, And Art. New York: Praeger, 1973
    Daejeon Museum of Art. 2005 Daejeon Fast: Future of Art, Science and Technology. Daejeon, Republic of Korea, 2005.
    Deken, Joseph. Computer Images : State Of The Art. New York : Stewart, Tabori & Chang Publishers, 1983
    Dixon, Steve.  Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge: MIT Press, 2007
    Edmonds, Ernest and Linda Candy.  Explorations in Art and Technology.  Springer, 2002
    Fishwick, Paul. Aesthetic Computing. Cambridge:, MIT Press 2005
    Francastel,Pierre  (translated by Randall Cherry).  Art and Technology in the Nineteenth and Twentieth Centuries.  Cambridge: MIT Press, 1999
    Franke, Herbert W. Computer Graphics - Computer Art. Berlin: Springer-Verlag, 1984
    Fischnaller, Franz.  E.book. Editori Riuniti   info
    Frieling, Rudolf  & Dieter Daniels. Media Art Interaction: The 1980s and 1990s in Germany.
    Frankel, Feliceand George Whitesides. On The Surface of Things. New York: Chronicle Books, 1997
    Gere, Charlie.  Art, Time, and Technology. Oxford: Berg, 2006
    Gilmore, Lee.  Afterburn (Burning Man) .  U New Mexico Press, 2005 
    Goodman, Cynthia. Digital Vision. New York: Abrams Publishers, 1987
    Hogan,Patrick Colm.  Cognitive Science, Literature and the Arts.
    Harris, Craig. Art & Innovation. (Xerox PARC Artist in Residence program) Cambridge: MIT Press, 1999
    Hiltzik, Michael.  Dealers of Lightning (Xerox Parc).  Harper Business
    Hocks, mary and Michelle Kendrick.. eloquesnt images:word and imag in age of new media. MIT Press, 2005
    Hopkins, Bart (ed.) Gravikords, Whirlies and Pyrophones: Experimental Musical Instruments. San Francisco: Ellipsis Arts, 1996 
    Ippolito, Jon and Joline Blais: At the Edge of Art, thames & hudson , 2006
    Jacobson,Linda ed., Cyberarts: Exploring Art & Technology. San Francisco: Miller Freeman, 1992
    Jana,  Reena and Mark Tribe.New Media Art . Taschen, 2006
    joyce,michael. othermindedness: the emergence of network culture. u of mich press, 2001
    Kacunko, Slavko.  Closed Circuit Videoinstallationen.  Verlag, 2005
    Kluver, Billy, J. Martin, B. Rose (eds), Pavilion:Experiments in Art and Technology. New York: E. P. Dutton, 1972
    Kranz, Stewart. Science and Technology in the Arts: A Tour Through the Realm of Science/Art. New York: Van Nostrand Reinhold Co., 1974.
    Kriesche, Richard. Teleskulptur. Graz, Austria: Kulturdata, 1993
    Krueger, Myron, Artificial Reality II. Reading, Mass. : Addison-Wesley, 1991
    Latham,William and Stephen Todd. Evolutionary Art and Computers. New York: Academic Press: 1992
    Laurel, B. 1991. Computers as Theatre. Reading, Mass.: Addison-Wesley Pub., c1991
    Leavitt, Ruth, 1976. Artist and Computer. New York : Harmony Books, 1976  online text
    Lee, Jiho.  2005 Daejeon FAST: Future of Art, Science and Technology 
    Lefèvre, Wolfgang.  Picturing Machines: 1400-1700.  MIT Press, 2004
    Leopoldseder,Hannes  and Christine Schopf. CyberArts 2001.  Springer, Vienna, Austria, and New York, NY,  2001  (Documentation of Ars Electronica Prix competitions, other years also avaialable)
    Lievrouw, Leah A  and Sonia Livingstone, The Handbook of New Media
    Loveless, Richard. The Computer Revolution and the Arts. Tampa : University of South Florida Press, 1989
    Machado, Penousal  , Juan Romero  (eds) Evolutionary Art and Music. Springer (in progress)
    Maeda, John. Design by Numbers. Cambridge, Mass: MIT Press, 1999
    Malina, Frank J. (ed.) Kinetic Art. New York: Dover Publications, 1974
    Malina, Frank J.(ed.) Visual Art, Mathematics And Computers Oxford ; New York : Pergamon Press, 1979
    Mealing, Stuart  , Ed.  computers and art.. Intellect, 2005 
    Meigh-Andrews, Chris. History of Video Art.  Berg. Oxford,2006
    Morris,Adelaide   and Thomas Swiss.  New Media Poetics. Cambridge: MIT Press, 2006
    Moles, Abraham. Art and Technology. Urbana, University of Illinois Press, 1966
    Mulder, Arjen  and Maaike.  Book for the Electronic Arts.  V2. Rotterdam, 2001
    Orvell, Miles, After The Machine : Visual Arts And The Erasing Of Cultural Boundaries. Jackson : University Press of Mississippi, 1995
    Randall Packer and Ken Jordan(eds).  Multimedia: From Wagner to Virtual Reality.  WWNorton,2001
    Paul, Christiane.  Digital Art.  Thames & Hudson. 2003
    Pickover, Clifford. Computers and the Imagination : Visual Adventures Beyond The Edge. New York: St. Martin's Press, 1991
    Pickover, Clifford A. Visions of the Future : Art, Technology, And Computing Inthe Twenty-first Century. New York : St. Martin's Press, 1992
    Poissant Louise, Esth??tique des Arts M??diatiques. Presses de l'Universit?? du Qu??bec, Montreal: Collection Esth??tique, 1995
    Popper, F. 1976. Art, Action and Participation. New York : New York University Press, 1975
    Popper, F. 1981. Electra. Paris: Musee d??Art Moderne de la Ville de Paris, 1983
    Popper, Frank. Art of the Electronic Age. New York: Harry N. Abrams, Inc., 1993.
    Popper, Frank. 2005. From Technological to Virtual Art. 
    Reas,    Casey and Ben Fry. Programming Media: A pragmatic foundation in writing software for the arts. MIT Press, 2007
    Reichardt, Jasia, The Computer in Art. New York: Van Nostrand Reinhold 1971
    Reichardt, Jasia, Cybernetic Serendiptiy. New York: Praeger 1969
    Rosenberg, M. J. The Cybernetics Of Art : Reason And The Rainbow. New York : Gordon and Breach Science, 1983
    Rosenboom, David, 1976. Biofeedback And The Arts, Results Of Early Experiments. Cambridge: MIT Press - Leonardo Monographs, 1976
    Scholder, Amy  (Editor), with Jordan Crandall. Artistic Practice in the Network.
    Schwartz, Lillian, The Computer Artist's Handbook : Concepts,
    Techniques, And Applications. New York: Norton,1992
    Scott, Jill.  Artists in Labs: Processes of Inquiry.  SpringerWienNewYork, Wien, Austria, 2006
    Seltz, Peter and Krisine Stiles.  Theories and Documents of Contemporary Art.  U of California Press.
    Shanken, Edward. Roy Ascott Writings. U of California Press, Berkeley, 1999
    Sherman, Tom.   Before and After the I-Bomb.  Bamff, 2002
    Sommerer, Christa & Laurent Mignonneeau (eds.) ARt @ Science. New York: Springe:, 1998
    Spalter,Anne Morgan. The Computer in the Visual Arts. Reading: Addison Wesley, 1999
    Spiller, Neil ed.  Cyber-Reader: Critical Writings for the Digital Era. Phaidon
    Gerfried Stocker and Christine Schopf (eds.) Ars Electronica 98: Infowar.
    Triscott,Nicola & Rob la Frenais (ed).  THE ZERO GRAVITY HANDBOOK: A Cultural User's Guide.  Conerhouse publications,2005. 
     Tromble,     Meredith (ed) The Art and Films of Lynn Hershman Leeson: Secret Agetns, Private I. University of California Press, Berkley,  2006..
    Tuchman, Maurice. Art and Technology, New York: Viking, 1971.
    V2.  Making Art of Databases.  V2_ and NAi Publishers.  http://www.v2.nl/2003 
    van Proyen, Mark.  afterburn: reflections on burning man. U New Mexico Press, 2005
    Faure Walker, James. Painting the Digital River: How an Artist Learned to Love the Computer. Prentice Hall,  2006
    Wands, Bruce.  Art in the Digital Age.  Thames & Hudson
    Wilson, Stephen. Using Computers To Create Art. Englewood Cliffs: Prentice Hall. 1986.
    Wilson, Stephen, Multimedia Design. Englewood Cliffs: Prentice Hall. 1991
    Wardrip-Fruin,   Noah and Nick Montfort, eds.  The New Media Reader.  MIT Press, Cambridge, MA, 2003

    Net Art/Networks/Web/GPS

    Brown, Paul.  Networks and Artworksthe Failure of the User Friendly Interface.  http://www.paul-brown.com/WORDS/NETART.HTM
    Conley,     Tom. Cartographic Cinema. University of Minnesota Press, Minneapolis, 2007
    Curry, Michael.  Digital Places.  Routledge, 1998
    Fourmentraux, Jean-Paul. New forms of creation: art et Internet, CNRS Communication, 2005
    Frieling,Rudolf   and Dieter Daniels.  Medien Kunst Netz/ Media Art Net/ 2 (in English and German). Springer Wien, NewYork, USA, 2006
    Goldberg, Ken. The Robot in the Garden: Telerobotics and Telepistemology on the Internet. Cambridge: MIT Press,2000
    Greene, Rachel.  History of the Internet. Thames & Hudson
    Johnson, Steven.  Interface Culture: How New Technology Transforms the Way We Create and Communicate.  San Francisco: HarperCollins.
    Himanen,Pekka .  the hacker ethic
    Joyce, Michael.  Othermindedness: the Emergence of Network Culture.
    README!
    Kac, Eduardo.  Telepresence & Bio Art: Networking Humans, Rabbits and Robots. The University of Michigan Press, Ann Arbor, Michigan 2005
    Saper, Craig J. Networked Art .University of Minnesota Press, Minneapolis, MN, U.S.A.,, 2001
    Sondheim,    Alan   ed.  Being On Line: Net Subjectivity
    Standage,  Tom .  The Victorian Internet : the remarkable story of the  telegraph and the nineteenth century's on-line pioneers/
    Peter Weibel and Timothy Druckrey (eds). net_condition: art and global media.  Cambridge: MIT Press, 2000.
    Wellman, Barry.  Physical Place and Cyberplace: The Rise of Personalized Networking. 2000
    White, Michele. The Body and the Screen: Theories of Internet Dictatorship. MIT Press, Massachusetts, USA, 2006
    Wilson, Stephen, World Wide Web Design Guide. Indianapolis: Hayden, 1995

    Philsophical and Sociological Critiques of Science

    Aronowitz, S et al. (eds.) Technoscience and Cyberculture. London: Routledge, 1995
    Babich, Babette. Continental and Postmodern Perspectives on Philosophy of Science. London: Avebury, 1995
    Barnes, B., Bloor, D., & Henry, J. . Scientific knowledge: a sociological analysis. London: The Athalone Press, 1996
    Bleier, Ruth, Feminist Approaches To Science. New York: Pergamon,1988
    Bloor, D. Knowledge and Social Imagery. Chicago: University of Chicago Press, 2nd ed., 1991.
    Durbin, Paul T.ed, , A Guide to the Culture of Science, Technology, and Medicine. New York: The Free Press, 1977
    Feyerabend, Paul . K. Against Method. London: New Left Books, 1975
    Foucault, Michele. Archaeology of Knowlege. London : Tavistock:, 1972
    Fuller, Steve. , Philosophy of Science and Its Discontents. Conduct of Science Series. Madison: U. of Wisconsin Press,, 1993
    Galgan, Gerald J. .The Logic of Modernity. New York:New York University
    Press,1982.
    Galison, P & David J. Stump. Disunity of Science. Stanford, Calif. : Stanford University Press, 1996
    Galison, P. and Jones, C. Editors, Picturing Science, Producing Art. London: Routledge, 1988
    Galison, Peter and Emily Thompson, eds.The Architecture of Science. Cambridge: MIT Press,. 1999.
    Galison, Peter. Image and Logic: A Material Culture of Microphysics. University of Chicago Press, 1997
    Gleick, James. Chaos. New York, N.Y., U.S.A. : Viking, 1987
    Griffin, D. Reenchantment of Science. Buffalo: State U of NY Press, 1988
    Gross, Paul R. Norman Levitt, and Martin W. Wise (eds.) The Flight from Science and Reason. Baltimore: The Johns Hopkins University Press, 1988
    Harding, Sandra. Whose Science? Whose Knowledge? Ithaca: Cornell U Press, 199
    Haraway, Donna Primate Visions: Gender, Race and Nature in the World of Modern Science. London: Routledge, 1989
    Hull, David. Science as a Process: An Evolutionary Account of the Social and Conceptual Development of Science. Chicago: University of Chicago Press, 1990.
    Ione, Amy.  Nature exposed to our method of questioning.  Diatrope Press, Berekley, ca 2003
    Keller, Evelyn Fox, Reflections on Gender and Science. New Haven: Yale U. Press: 1985
    Kuhn, Thomas. The Structure of Scientific Revolutions. Chicago: U of Chicago Press, 1970
    Lakatos, I. and A. Musgrave (eds) Criticism and the Growth of Knowledge. Cambridge: Cambridge University Press, 1970
    Latour , Bruno. Science in Action. Cambridge: Harvard University Press, 1987
    Latour, B. and S. Woolgar Laboratory Life: The Construction of Scientific Facts Princeton: Princeton University Press, 2nd ed., 1986.
    Bruno Latour and Peter Weibel.  Iconoclash: Beyond the image wars in science, religion, and art.
    Laudan, Larry. Progress and Its Problems: Towards a Theory of Scientific Growth. Berkeley:University of California Press, 1977
    Lederer, Susan E. Frankenstein: Penetrating the Secrets of Nature.  Rutgers Univ. Press, New  Brunswick, NJ,, 2002
    Lenoir, T Instituting Science. The Cultural Production of Scientific Disciplines. Stanford: Stanford U. Press, 1997
    Lyotard, Jean-Francois. Postmodern Condition. Manchester: U of Manchester Press, 1984
    Hoyningen-Huene, Paul 1993. Reconstructing Scientific Revolutions: Thomas S. Kuhn's Philosophy of Science. Chicago : University of Chicago Press, 1993
    Margolis, Howard. Paradigms & Barriers : How Habits Of Mind Govern Scientific Beliefs. Chicago : University of Chicago Press, 1993.
    Penley, Constance. NASA/Trek: Popular Science and Sex in America. London: Verso, 1998
    Regis, Ed.  Great Mambo Chicken and the Transhuman Condition:  Science Slightly Over the Edge.
    Rouse, Joseph. Engaging Science: Science Studies after Realism, Rationality, and Social Constructivism. Ithaca: Cornell University Press, 1996
    Pickering, Andrw (ed). Science as Practice and Culture. Chicago: U of Chicago Press, 1992
    Sheldrake, Rupert.  seven experiments thact could change the world.
    Toulmin, S. Return to Cosmology. Berkeley: U of California Press, 1985
    Obrist,Hans Ulrich and Baraabara Vanderlinden. Laboratorium.  DAP/Distributed Art Publishers, new York
    Woolgar, S. .Science: The Very Idea. London Tavistock, 1988.
     

    Biology, Nature,  Genetics, Alife, and the Body

    Ackerman, Dianne. Natural History of the Senses. New York : Random House,1990
    Ascott, Roy (ed.)  Engineering Nature: Art & Consciousness in the Post-Biological Era.  Intellect Books, 2005
    Balsamo. A. Technologies of the Gendered Body. Durham: Duke, 1996
    Becker, Robert O. and Andrew Marino , Cross Currents. Los Angele: Jeremy Tarcher, Inc., 1990
    Becker, Robert O. and Gary Selden. Body Electric. New York : Morrow, 1985
    Birke, Lynda and Ruth Hubbard. Reinventing Biology. Bloomington Indiana U. Press, 1995
    Bruno Bossis.  La Voix et la Machine: La Vocalite Artificielle dans la Musique
     Contemporaine.   Presses Universitaires de Rennes. Rennes, France, 2005
    Brown, Richard.  Biotica:Art Emergence and Artificial Life.  Art Books International, 2000
    Bulatov, Dmitry.  biomediale: contemporary society and genomic culture.  2005  http://ncca-kaliningrad.ru/biomediale/
    Butler, Judith. Bodies that Matter: On the Discursive Limits of "Sex." New York: Routledge. 1993.
    Cartwright, L.  Screening The Body: Tracing Medicine's Visual Culture.
    Carnegie Mellon.  Mapping the Terrain:Environmental Thinking and Art Practice.    link
    Cassirer, D. The Individual and the Cosmos in Renaissance Philosophy. (University of Pennsylvania Press, 1972
    Crary, Jonathan and Sanford Kwinter, Incorporations. London:Verso, 1992
    Danto, Arthur.  The Body/Body Problem: Selected Essays.  Univ. of California Press, Berkeley, CA,  2002
    Deitch, Jeffrey. Post Human. New York: DAP, 1992
    Dion, Mark and Alexis Rockman. Concrete Jungle. New York: Re/Search - Juno Books, 1996
    Dollens, Dennis.  D-B . A: Digital-Botanic Architecture. 
    dourish, paul.  where the action is: foundations of embodied interaction. mit press, 2003
    Timothy Druckrey (ed).  Ars Electronica:  Facing the Future.
    Elder, Klaus. Social Construction of Nature. London: Sage, 1996)
    Ron English, Jennifer L. Croissant, Giovanna Di Chiro, Rayvon Fouche, eds. Appropriating Technology, Vernacular Science and Social Power. University of Minnesota Press, Minneapolis, 2005
    Evernden, Neil. Social Creation of Nature. (Johns Hopkins Press: Baltimore, 1992
    Fabrega, Horaciao. Evolution of Sickness and Healing.Berkeley : U of California Press:, 1997
    Favazza,Armando. Bodies Under Siege, Self-mutilation and Body Modification in Culture and Psychiatry. Baltimore: John Hopkins University Press, 1996
    Foucault, Michel History of Sexuality. New York : Pantheon Books, 1978
    Foucault, Michel. Birth of the Clinic. New York, Pantheon Books, 1973
    Frohoff, Toni   and Brenda Peterson, eds.Between Species: Celebrating The Dolphin-Human Bond,
    Garnet Eldon.  Narative Body. Autonomedia
    Gallaher, C. and T. Laqueur. Making of the Modern Body. Berkeley: Univesity of California Press, 1987
    Geary, James.  The Body Electric: An Anatomy of the New Bionic Senses.  Rutgers Univ. Press, New Brunswick, 2002
    Gare, Arran. Postmodernism and the Environmental Crisis. New York: Routledge, 1995.
    Goldberg, Peter.  THE DESIGN OF INNOVATION: Lessons from and for Competent Genetic Algorithms.  Kluver
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    Haraway, D. Simians, Cyborgs, and Women: The Reinvention of Nature. London: Free Association Books, 1991
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    Jones, Caroline (ed).  Sensorium: Embodied Experience, Technology and Contemporary Art. Cambridge: MIT Press, 2006
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    Kac, Eduardo.  Signs of Life: Bio Art and Beyond. MIT Press, 2007?
    Keller, Eveln Fox.  Making Sense of Life, Explaining Biological Development with Models, Metaphors and Machines.  Harvard University Press, Cambridge MA, 2002
    Martin Kemp, Marina Wallace (eds.): .Spectacular bodies. The art and science of the human body from Leonardo to now.     Berkeley, Los Angeles, London: University of California, 2001
    Kevles, D. & L. Hood, Code of Codes. Cambridge: Harvard U Press, 1992.
    Kevles, Bettyann Holtzmann & Marilyn Nissenson  Picturing DNA
    Harold Koda. Metropolitan.   Extreme Beauty: The Body Transformed.
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    Kimball, Andrw. Human Body Shop. San Francisco : Harper Collins,, 1993
    Kress-Rogers, Erika (ed.) Handbook of Biosensors and Electronic Noses. Boca Raton: C.R.C. Press, 1997
    Kuppers, Petra.  Scar of Visibility. Medical Performances and Contemporary Art. University of Minnesota Press, Minneapolis, 2007
    Lacy, Suzanne. Mapping the Terrain. Seattle: Bay Press, 1995
    Levy,Ellen K. ed., "Contemporary Art and the Genetic Code," special issue of Art Journal 55, (Spring 1996) with B. Sichel
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    Lupton, Deborah. Medicine as Culture. London:Sage, 1994
    McCormack,Jon,  Jon Bird, Alan Dorin, Annemarie Jonson. Impossible Nature: Art of Jon Mccormack. Australian Center for the Moving Image, Melbourne, 2004.
    Marks, Laura.  Touch: Sensuous Theory and Multisensory Media.  University of Minnesota Press. Minneapolis, 2002
    Merchant, Carolyn ed. Key Concepts in Critical Theory: Ecology. Atlantic Highlands, N.J. : Humanities Press, 1994.
    Merchant, Carolyn The Death of Nature: Women, Ecology and Scientific Revolution, New York: Harper, 1980
    Mayr, Ernst This is Biology: The Science of the Living World. Cambridge, Mass.: Belknap Press of Harvard University Press, 1997
    Squier, Susan Merrill.  Liminal Lives: Imagining the Human at the Frontiers of Bioscience
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    Neumann-Held, Eva M. and Christoph Rehmann-Sutter. Genes in Development: Re-reading the Molecular Paradigm.. Duke University Press, Durham,, 2006
    O’Bryan,C. Jill.  Carnal Art: Orlan. University of Minnesota Press, Minnesota, MN, 2005
    Pandilovsk, Melentie.  Art of the Biotech Era (forthcoming) http://www.eaf.asn.au/biotech/biotech.html
    Poissnat, Louise and Ernestine Daubner (eds.)  Art Et Biotechnologies.  Presses de l'Universite du Quebec.  Montreal, 2004
    Prigann, Herman.  aesthetics of ecology.  Birkh, Basel
    Richards,Catherine.   Excitable Tissues
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    Shepard,Paul. The Others: How Animals Made Us Human, Washington, D.C.: Island Press, 1996
    Soul??, Michael and Gary Lease, (ed.) Reinventing Nature? Responses to Postmodern Deconstruction. Washington, DC.: Island Press, 1995.
    Stafford, Barbara. Body Criticism. Cambridge: MIT Press, 1991
    Shaviro, Steven. The Cinematic Body, Minneapolis: University of Minnesota Press, 1993
    Springer, Claudia. Electronic Eros: Bodies and Desire in the Postindustrial Age, London: Athlone Press, 1996.
    Stocker, Gerfried  and Christine Schopf (eds.)  Ars Electronica 99: Life Science.
    Eugene Thacker. Biomedia.  University of Minnesota Press,2004
    Thacker,     Eugene.  The Global Genome, Biotechnology, Politics and Culture.  2005, MIT Press, Cambridge
    Todes, Samuel.  Body and World. Cambridge: MIT Press,  2001
    Tompkins, Peter and Christopher Bird. The Secret Life of Plants. New York: Harper & Row. 1973
    Paula A. Treichler, Lisa Cartwright, and Constance Penley (eds) The Visible Woman: Imaging Technologies, Gender, and Science. New York: New York University Press1998)
    Turner,B. S. Regulating Bodies. London: Sage: 1992
    Van Dijck, Jose. The Transparent Body: A Cultural Analysis of Medical Imaging
    Whitelaw, M.  Metacreation: Art and Artificial Life.  The MIT Press, Cambridge, MA, 2004
    Wegenstein, Bernadette.  Getting Under the Skin: Body and Media Theory. MIT Press, Massachusetts, 2006
    Wellcome Trust (Caterina Albano/Ken Arnold/Marina Wallace). Head On; Art with the Brain in Mind. London, 2002
    White, Michelle. The Body and the Screen: Theories of Internet and Spectatorship. MIT Press, Cambridge, 2006
    Williams, Raymond. Problems of Materialism  London : Verso, 1980
    Yang, Guang-Zhong.  Body Sensor Networks. Springer  2006
    Zeki, Semir.  Inner Vision: An Exploration of Art and the Brain  Oxford Univ. Press, New York, NY, 2002
     

    Ecology

    Andrews, Max (ed).  LAND, ART: A Cultural Ecology Handbook .  Cornerhouse Publications. UK
    Green Museum.  Ecoventions.  link
    Matilsky, Barbara. Fragile Ecologies. New York: Rizzoli, 1992
    Oakes, B. . Sculpting With The Environment--a Natural Dialogue. New York:Van Nostrand Reinhold, 1995
    Oetschalager, M. The Idea of Wilderness New Haven:, Yale U. Press, 1991
    Spaid, Sue (ed.), Ecovention: Current art to transform ecologies.  Cincinnati: Contemporary Arts Center, 2002; B.C.
    Strelow (ed), Aesthetics of Ecology. Art in Environmental Design: Theory and Practice, Basel, Berlin, Boston: Verlag für
    Architektur, 2004
    Wright, Will. Wild Knowledge: Science, Language, and Social Life in a Fragile Environment. Minneapolis: U. Minnesota Press, 1992.

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    Amato, Ivan. Stuff: The Things the World is Made Of. NY : BasicBooks, c1997
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    Barabosi,  Alberto-Laszlo. Linked: the New Science of Networks. Perseus Publishing, 2002
    Brand, Stewart. Media Lab. New York: Penguin, 1987
    Braddock, Sarah.  TechnoTextiles.  Thames & Hudson, 1999
    Brockman, J., Third Culture. New York: Simon & Schuster, 1995
    Brockman, J. & Katinka Matson. 1995 How Things Are. New York : W.Morrow, 1995
    Breazeal Cynthia.  Designing Sociable Robots  review
    Brooks, Rodney.  Flesh and Machines. nytimes review and link to chapter
    Cilliers, Paul . Complexity and Postmodernism. London: Routledge, 1998
    Crandall, B.C. 1996. Nanotechnology: Molecular Speculations on Global Abundance. Cambridge: MIT Press, 1992
    Dery, Mark . Escape Velocity: Cyberculture at the End of the Century.New York: Grove, 1996.
    Dodsworth, Clark.. Digital Illusion. Reading, MA: Addison Wesley, 1997.
    Dourish. Paul.  Where the Action is: The Foundations of Embodied Interaction.  Cambridge: MIT Press, 2001
    Drexler, Eric. Engines of Creation. New York: Morrow, 1991
    Drexler, Eric. Unbounding the Future. New York: William Morrow & Company, 1991
    Daston,Lorraine   Ed.  Things That Talk: Object Lessons from Art and Science.    
    Goldberg, Ken and Roland Siegwart(eds).  Beyond webcams:An Introduction to Online Robots .  Cambridge:  mit press, 2001
    Gates, Bill. The Road Ahead. New York: Penguin Books, 1995.
    Gilder, G, Telecosm. New York: Simon & Schuster, 1996
    Gurstelle, William . Adventures from the Technology Underground : Catapults, Pulsejets, Rail Guns, Flamethrowers, Tesla Coils, Air Cannons, and the Garage Warriors Who Love Them
    Hall, Stephen. Mapping The New Millenium. New York : Vintage Books, 1993
    Hakken,David . Knowledge Landscapes of Cyberspace. Routledge, 2005
    Harrison, Albert. Spacefaring: The Human Dimension.  University of California Press, Los Angeles, 2002
    Hinds.  Pamela  and Sara Kiesler, eds. Distributed Work  Cambridge: MIT Press, 2002
    Holland,Owen   ed Machine Consciousness   Imprint Academic, Exeter, U.K., and Charlottesville, VA,., 2003
    Hornyak ,Timothy N.  Loving the Machine: The Art and Science of Japanese Robots
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    Jones, Steven (ed.). Cybersociety. Thousand Oaks, Calif. : Sage Publications, 1995
    Joyce, Michael.  Othermindedness: The Emergence of Network Culture.  University of Michigan Press, Ann Arbor, MI, U.S.A., 2001
    Kelly, Kevin , 1994. Out of Control: The Rise of Neo-Biological Civilization. Reading: Addison-Wesley, 1994
    Kosko, Bart. Fuzzy Thinking: The New Science of Fuzzy Logic. London: Flamingo, 1993
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    Lanier, J. Information is Alienated Experience. (forthcoming)
    Lewin, Roger. Complexity: Life at the Edge of Chaos. New York: Collier,1992.
    Levy, Steven. Artificial Life: The Quest for a New Creation, New York: Penguin, 1992
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    Physical Computing, Interface, Design, Computing Futures

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    Chris Crawford,.  Understanding Interactivity,  ©2000
    P. Denning (Ed.), The Invisible Future: The seamless integration of technology in everyday life - see Buxton, W. (2001).  Less is More (More or Less),
    Anthony Dunne and Fiona Raby, Design Noir: The Secret Life of Electronic Objects,    ©2001, Princeton   Architectural Press; ISBN: 3764365668
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    Robert Jacobson.   Information Design, 1st edition .  ed. ©MIT  Press; ISBN: 0262600358
    Brenda Laurel .  Computers As Theatre ©1993 Addison-Wesley  Pub Co; ISBN: 0201550601
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    McCullough, Malcolm .  Digital Ground: Architecture, Pervasive Computing, and Environmental Knowing.
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    Donald A. Norman.  The Things That Make Us Smart,  ©1993, Perseus Books, ISBN:0201626950
    O'Sullivan, Dan and Tom Igoe.  Physical Computing.  thompson publisher, Boston, 2004
    Nathan Shedroff .  Experience Design  ©2001 New Riders Publishing; ISBN: 0735710783
    Shneiderman,  Ben.  Leonardo's Laptop: Human Needs and the New Computing  Technologies

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    Amin, A (ed), Post-Fordism: a Reader. Oxford: Blackwell, 1994
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    Bell, David.  Introduction to Cyberculture.  Routledge, ny 2001
    Benjamin, Walter. Illuminations,(New York: Schocken Books, 1976
    Bender, G. & Druckrey, T. (eds). Culture on the Brink: The Ideologies of Technology. New York: Dia/Bay Press, 1994
    Bolter, Jay. and  Richard Gursin. Remediation: understanding new media.  MIT Press
    Borgmann, Albert. Crossing the Postmodern Divide. Chicago: University of Chicago Press, 1992
    Brook, James and Iain A. Boal, (eds.) Resisting the Virtual Life: The Culture and Politics of Information. San Francisco: Citylights, 1995
    Joke Brouwer, Arjen Mulder.  TransUrbanism.  V2_Publishing/NAI Publishers.  Netherlands, 2002
    Bruno, Giuliana. Alien Zone. London:Verso, 1990
    Bukatmen, Scott Terminal Identity: The Virtual Subject in Post-Modern Science Fiction. Durham: Duke University Press, 1993
    CAiiA.Consciousness Reframed: Art and Consciousness in the Post-Biological Era. Conference Proceedings. Newport, Wales: Univ. of Wales College, 1997
    Calvert, Melodie.  Processed Lives: Gender and Technology in Everyday Life.  Routledge
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    Casey, Edward S. Earth-Mapping: Artists Reshaping Landscape. University of Minnesota Press, Minneapolis,, 2005
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    Crary, Jonathan. Suspensions of Perception: Attention, Spectacle and Modern Culture.  Cambridge: MIT Press,2001
    Conley, V. Andermatt. Rethinking Technologies. Minneapolis: University of Minnesota Press, 1992
    Coyne, Richard.  Technoromanticism: Digital Narrative, Holism, and the Romance of
    the Real.  Cambridge: MIT Press,2000
    Debray, Regis.  Introduction a la Mediologie.  Presses Universitaires de France, 2000
    De Landa, Manuel. War in the Age of Intelligent Machines. New York : Zone Books, 1991
    de Kerckhove, Derrick The Skin of Culture: Investigating the New Electronic Reality, Toronto: Somerville House, 1995
    de Kerckhove, Derrick.  Connected Intelligence: The Arrival of the Web Society. Toronto: Somerville House, 2002
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    Druckrey,Timothy (ed). Electronic Culture: Technology & Visual Representation. New York: Aperture, 1997
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    Fuller, Matthew.  Media Ecologies, Materialist Energies in Art and Tecnoculture.  Cambridge: MIT Press, 2005
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    Gere, Charlie.  Digital Culture.  Reaktion Books Ltd., London, 2002
    Gere, Charlie. Art, Time and Technology. Berg, 2006
    Ghosh, Rishab Aiyer ed.  CODE: Collaborative Ownership and the Digital Economy
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    Grau, Oliver. Virtual Art: From Illusion to Immersion.  MIT Press, Cambridge, MA, 2002
    Gray, Chris Hables, (ed.) The Cyborg Handbook. London: Routledge, 1996
    Gunnar Liest¯l, Andrew Morrison, Terje Rasmussen eds.  Digital Media Revisited: Theoretical and Conceptual Innovations in Digital Domains.  Cambridge: MIT Press, 2003
    Guisnel , Jean. Cyberwars: Espionage on the Internet. New York: Plenum Press, 1997
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    Heilbroner, Robert. Visions of the Future: The Distant Past, Yesterday, Today, Tommorrow. Oxford: Oxford University Press, 1996
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    Idhe, Don &  Evan Selinger.  Chasing Technoscience 
    Ione, Amy. Innovation and Visualization: Trajectories, Strategies, and Myths, Edditions Rodopi
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    Kendall, Lori.  Hanging Out in the Virtual Pub: Masculinities and Relationships Online.  University of California Press, Berkeley, 2002
    Krauss, Rosalind et al (ed). October: The Second Decade. Cambridge: MIT Press,1997
    Kroker, Arthur. The Possessed Individual: Technology and Postmodernity. New York: Macmillan, 1992
    Kroker, Arthur and Michael A Weinstein. Data Trash: The Theory of the Virtual Class. Montreal:New World Perspectives, 1994
    Kroker, Arthur and Marilouise Kroker. Hacking the Future: Stories for the Flesh-Eating 90s, Montreal: New World Perspectives, 1996.
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    Krysa, Joasia.(ed). DATA browser 03: Curating Immateriality  Autonomedia, Brooklyn,, 2006.
    Landow, George P.  Hypertext 3.0:Critical theory and new media in an era of globalization
    Langlois Fdn &  Guggenheim Museum. Permanence Through Change: The Variable Media Approach  http://variablemedia.net/e/preserving/html/var_pub_index.html
    Liest¯l,, Gunnar  et al., eds. Digital Media Revisited: Theoretical and Conceptual Innovations in Digital Domains. MIT Press, 2003
    Leão, Lucia. O chip e o caleidoscópio: reflexões sobre as novas mídias. São Paulo: Ed. SENAC, 2005 (portuguese)
    Levin, THomas and Ursual Frohne and Peter Weibel, CTRL [space];Rhetorics of Surveillance.  MIT Press, 2006
    Lacy, Suzzanne (ed).  Mapping the Terrain.  Bay Press
    Levy, Pierre.  Electronic Mediations Series, Vol. 4: Cyberculture.  University of Minnesota Press, Minneapolis,2002
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    Lovink,  Geert. Uncanny Networks: Dialogues with the Virtual Intelligentsia.  MIT Press, Cambridg
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    Luenfield, Peter.  User Info TechDemod.  MIT Press, 2005
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    Thomas, Douglas.  Hacker Culture,    University of Minnesota Press, Minneapolis, 2002
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    Trend, David ed.  Reading Digital Culture.  2000
    Turkle, Sherry. Life on the Screen: Identity in the Age of the Internet. New York: Touchstone Books, 1997
    Virilio, Paul. The Aesthetics of Disappearance, trans Philip Beitchman, New York: Semiotext(e), 1991.
    Virilio, Paul. War and Cinema, London: Verson, 1989
    Virilio, Paul. The Vision Machine. London: BFI, 1994
    Virilio,Paul The Lost Dimension. New York : Semiotext(e), 1991
    Wallis, Brian. Art After Postmodernism: Rethinking Representation. New York: New Museum,, 1984
    Webster, F. Theories of the Information Society. London: Routledge, 1995.
    Weizenbaum, Joseph. Computer Power and Human Reason, New York: Pelican, 1976
    Zielinski, Siegfried.  Deep Time of the Media: Towards an Archaeology of Hearing and Seeing by Technical Means. MIT Press. Cambridge, 2006
    Zofia, Z. Whose Second Self? Gender and (Ir)Rationality in Computer Culture. Victoria: Deakin University Press,1993
     

    Anaylsis of Computer Impact on Society and Specific Digital Technologies

    Aleksander, Igor and Piers Burnett.  Thinking Machines: The Search for Artificial Intelligence.  Oxford:  Oxford University Press, 1987
    Igor Alexsander, Igor . How to Build a Mind: Toward Machines with Imagination.  Columbia Univ. Press, New York,2001
    Bolter, J. David. Turing's Man: Western Culture in the Computer Age. New York: Penguin, 1984.
    Breazeal,  Cynthia L. Designing Sociable Robots.  MIT Press, Cambridge, MA, 2002
    Brook, James and Iain A. Boal (eds) Resisting the Virtual Life: The Culture and Politics of Information . San Francisco : City Lights Press,, 1995
    Brooks, Rodney.  Flesh and Machines: how robots will change life.
    Bruce, Vicki and Andy Young. In the Eye Of the Beholder: the Science of Face Perscepion. New York : Oxford University Press, 1998
    Card, S. K., J. D. Mackinlay, et al. Information Visualization: Using Vision to Think. San Francisco: Morgan-Kaufmann, 1998
    Chesterman, John and Andy Lipman. The Electronic Pirates: DIY Crime of the Century. London: Routledge1988
    Crevier, Daniel. AI: The Tumultuous History of the Search for Artificial Intelligence, New York: Basic Books, 1993
    Cringeley, Robert X. Accidental Empires: How the Boys of Silicon Valley Make Their Millions, Battle Foreign Competition and Still Can't Get a Date, New York: Penguin, 1992
    Critical Art Ensemble. The Electronic Disturbance. New York:Autonomedia,1994
    Critical Art Ensemble. Electronic Civil Disobedience and Other Unpopular Ideas. New York: Autonomedia/Semiotext(e), 1996
    Davies, Paul. The Cosmic Blueprint: Order And Complexity at the Edge of Chaos, New York: Penguin, 1987
    Davis, Erik. Techgnosis: Myth, Magic + Mysticism in the Age of Information.
    New York: Harmony Books, 1998.
    Dourish,Paul. Where the Action Is: The Foundations of Embodied Interaction.   MIT Press, Cambridge, MA,, 2001
    Dreyfus, Hubert L. What Computers Still Can't Do: A Critique of Artificial Reason, Cambridge: MIT Press, 1992
    Dreyfus, Hubert  and Stuart.  Mind Over Machine: The Power of Human Intuition and Expertise in the Era of the Computer.  Free Press.
    Edwards, Paul. The Closed World: Computers and the Politics of Discourse in Cold War America. Cambridge: The MIT Press, 1996
    Feathersone, Mike. Undoing Culture: Globalization, Postmodernism and Identity, London: Sage, 1995
    Feathestone, Mike, Scott Lash and Roland Robertson (eds.) Global Modernities, London: Sage,1995.
    Freedman, David H. Brainmakers: How Scientists are Moving Beyond Computers to Create a Rival to the Human Brain. New York: Touchstone, 1994
    Freiberger, Paul and Michael Swain, Fire in the Valley: The Making of the Personal Computer. Berkeley: Osborne/McGraw Hill, 198)
    Dennett, Daniel C. Consciousness Explained. New York: Penguin, 1991
    Lansdale, Mark W. and Thomas C. Ormerod. Understanding Interfaces: A Handbook of Human-Computer Dialogue. San Diego: Academic Press, 1994
    Gardner, Howard , The Mind's New Science: A History of the Cognitive Revolution, rev ed, New York: HarperCollins ,1987
    Gelernter, David , Mirror Worlds, New York: Oxford University Press,1991
    Gelernter, David , The Muse in the Machine: Computers and Creative Thought, London: Fourth Estate,1994
    Gilder, George. Microcosm. New York : Simon and Schuster, 1989
    Goldberg, Ken (ed).  The Robot in the Garden.  Cambridge: MIT Press,1999
    Harasim, Linda M. (ed.) Global Networks: Computers and International Communication, Cambridge: MIT Press, 1993
    Hertz, J.C. Joystick Nation. Boston: Little, Brown and Company, 1997
    Johnson, Robert.  Margins of Reality.  (mutual influence of the physical and cyber)
    Langton, Christopher (ed).  Proceedings of Artificial Life Conferences.
    Laurel, Brenda.  Utopian Entrepeneur.
    Levinson, Paul.  Mind at Large.
    Levy, Steven. Hackers: Heroes of the Computer Revolution. New York: Anchor Press/ Doubleday, 1984
    Hafner, Katie and John Markoff. Cyberpunk: Outlaws and Hackers on the Computer Frontier. London: Corgi, 1991
    Haugeland, JohnArtificial Intelligence: the Very Idea. Cambridge: MIT Press,1985
    Hiltz, Starr Roxanne and Murray Turoff. The Network Nation: Human Communication Via Computer. Cambridge: MIT Press, 1993
    Hoffstaedter, R and D. Dennett. The Mind's I. New York: Bantam, 1982
    Holzman, Steven R. Digital Mantras: The Languages of Abstract and Digital Worlds. Cambridge: MIT Press,1994
    Ichbiah, Daniel, with Susan L Knepper. The Making of Microsoft: How Bill Gates and His Team Created the World's Most Successful Software Company. Rocklin, CA. Prima Publishing, 1993
    Jones, Steven G. Cybersociety: Computer-Mediated Communication and Community, London: Sage, 1995
    Kurtzman, Joel. The Death of Money: How The Electronic Economy has Destabilized the World's Markets and Created Financial Chaos. New York: Simon and Schuster,1993
    Kurzweil, Raymond (ed.) The Age of Intelligent Machines. Cambridge: MIT Press, 1992
    Kurzweil, Raymond. The Age of Spiritual Machines : When Computers Exceed Human Intelligence. New York: Viking, 1999
    Laurel, Brenda (ed.) , The Art of Human-Computer Interface Design, Reading MA: Addison Wesley, 1990
    Laurel, Brenda. Computers as Theatre. Reading,MA: Addison-Wesley, 1993.
    Levidow, Les and Kevin Robins (eds.) Cyborg Worlds: The Military Information Society. London:Free Association Booksm, 1989,.
    Levy, Pierre. Collective Intelligence : Mankind's Emerging World in Cyberspace. New York: Plenum Press, 1997.
    Levy, Pierre, . Becoming virtual : reality in the Digital Age. New York: Plenum Trade, 1998
    Levy, Steven. Insanely Great: The Life and Times of Macintosh, the Computer that Changed Everything, New York: Penguin, 1994
    Lury, Celia. Cultural Rights: Technology, Legality and Personality. London: Routledge, 1993
    Lyon, David. , The Information Society: Issues and Illusions, Cambridge: Polity, 1988
    Lyon, David. The Electronic Eye: The Rise of Surveillance Society. Minneapolis: University of Minnesota Press, 1994
    Mann, Steve.  Cyborg:Digital Destiny and Human Possibility in the Age of the Wearable
    Computer.  New York: Randomhouse Doubleday, 2001
    Martin, William J. , The Global Information Society, London: Aslib1995
    Menzel,Peter   and FaithD'Aluisio. Robo sapiens: Evolution of a New Species.  Cambridge: MIT Press, 2001
    Minsky, Marvin The Society of Mind. New York: Simon & Shuster,1986
    Mouseworks.  Contemporary Automata A Continuum .  http://www.mouseworkscanada.com
    Muller, Jorg Design of Intelligent Agents. Berlin: Springer, 1996
    Nancy, Jean Luc. The Inoperative Community. Minneapolis: University of
    Minnesota Press,1991
    Nelson, Theodor. Computer Lib/ Dream Machines. Redmond, Wash.:Tempus Books of Microsoft Press, 1987
    Penrose, Roger. The Emperor's New Mind. New York: Oxford University Press, 1989
    Picard, Rosalind W. Affective Computing. Cambridge: MIT Press, 1997
    Reeves, Byron and Clifford Nass. The Media Equation: How People Treat Computers, Television, and New Media Like Real People and Places. Cambridge: Cambridge Univ Press, 1996
    Shneiderman, Ben. Designing the User Interface: Strategies for Effective Human-Computer Interaction, Second Edition. Menlo Park: Addison-Wesley,1998
    Scholder,Amy and Jordan Crandall (eds.)  INTERACTION: Artistic Practice in the Network.  (Eyebeam Atelier and D.A.P.)
    Scientific American . ??Communications, Computers and Networks: How to Work, Play and Thrive in Cyberspace??, vol.265 no.3, (September, 1991).
    Scientific American. ??The Computer in the 21st Century??, special issue (1995)
    Shields, Rob (ed.) Cultures of Internet: Virtual Spaces, Real Histories, Living Bodies. London: SAGE Publications, 1996
    Silverstone, Roger and Eric Hirsch (eds.) Consuming Technologies: Media and Information in Domestic Spaces. London: Routledge,1992
    MacCabe, Colin (ed.) High Theory, Low Culture. Manchester: Manchester University Press, 1993
    Smith, Anthony. From Books to Bytes: Knowledge and Information in the Postmodern Era, London: BFI, 1993
    Sondheim, Alan.  Being on Line.  Lusitania Press, NY
    Sterling, Bruce. The Hacker Crackdown: Law and Disorder on the Electronic Frontier. New York: Penguin, 1992
    Talbot, Stephen.  The Future Does Not Compute.  O'Reilly Books
    Thomas,  Douglas.   Hacker Culture.  University of Minnesota Press, Minneapolis, MN., U.S.A, 2002
    Turkle, Sherry. The Second Self: Computers and the Human Spirit. New York : Simon and Schuster,1984
    Wallace, James and Jim Erickson , Hard Drive: Bill Gates and the Making of the Microsoft Emire New York: Harper Business,1992
    Wasko, Janet Hollywood in the Information Age, Cambridge: Polity, 1994
    Watson, Mark. AI Agents in Virtual Reality Worlds. New York: Wiley, 1996
    Webster, Frank, Theories of the Information Society. London:Routledge, 1995
    Wiener, Norbert. Cybernetics or, Control and Communication in the Animal amd the Machine. Cambridge: MIT Press,1948
    Wiener, Norbert. The Human Use of Human beings: Cybernetics and Society. London:Free Association Books, 1989

     

    Games


    Ban Burnham,  Supercade: A Visual History of the Videogame Age.  Cambriidge:  MIT press, 2001
    M. Bittanti, D. Quaranta (a cura di), GameScenes. Art in the Age of Videogames, Milano, Johan & Levi 2006
    Andy Clarke and Grethe Mitchell.  Videogames and Art (2007). Intellect Books.. http://www.press.uchicago.edu/cgi-bin/hfs.cgi/00/226001.ctl
    Joline Blais and Jon Ippolito.  At the Edge of Art.  (chapter on deep play.)  Thames and Hudson (2006)
    Flanagan, Mary   and Austin Booth. re:skin   MIT Press, Cambridge, Massachusetts, USA, 2007
    Kelman, Nic.  Video Game Art. Assouline, 2006   http://www.assoulineusa.com/video_game_art.html
    Taylor, T.L.  Play Between World: Exploring Online Game Culture. MIT Press, Cambridge, Massachusetts, USA 2006.

    Hypermedia and Interactive Narrative

    Amerika, Mark. META/DATA: A Digital Poetics.  Cambridge: MIT Press, 2006
    Aronowitz, Stanley, Barbara Martinsons and Michael Menser (eds.) Technoscience and Cyberculture London: Routledge,1996
    Barrett, Edward (ed.) The Society of Text: Hypertext, Hypermedia and the Social Construction of Information, Cambridge: MIT Press, 1989
    Birketts, Sven. Gutenberg Elegies: The Fate of Reading in an Electronic Age, London: Faber, 1994
    Bolter, Jay.  Writing Sapce: Computer, Hypertext and History of Writing.
    Cotter, Bob and Richard Ellver (eds).  Understanding Hypermedia.  Phaidon Press
    Coyne, Richard, Designing Information Technology in the Postmodern Age, From Method to Metaphor, Cambridge: MIT Press, Leonardo Book Series, 1996
    Coyne, Richard. Technoromanticism: Digital narrative, Holism and the Romance of the Real. Cambridge: MIT Press, Leonardo Book Series, 1999
    Delany, Paul and George P Landow (eds.) Hypermedia and Literary Studies Cambridge: MIT Press, 1991
    Douglas, J. Yellowlees. The End of Books--or Books Without End?: Reading Interactive Narratives.   University of Michigan Press, Ann Arbor, MI,  2001
    Gumbrecht, Hans Ulrich and K Ludwig Pfeiffer (eds.) Materialities of Communication, trans William Whobrey. Stanford: Stanford University Press, 1994
    Heim, Michael. Electric Language: A Philosophical Study of Word Processing. New Haven: Yale University Press,1987
    Hayles, Katerine.  Writing Machines,  MIT Press, Cambridge, MA, 2002
    Joyce, Michael. Of Two Minds : Hypertext Pedagogy and Poetics. Ann Arbor: University of Michigan Press, 1995
    Landow, George P. Hypertext: The Convergence of Contemporary Critical Theory and Technology. Baltimore: Johns Hopkins University Press, 1992
    Landow, George P.  Hypertext 2.0:  The Convergence of Contemporary Critical Theory and Technology.
    Landow, George P (ed.) Hyper/Text/Theory. Baltimore: Johns Hopkins University Press, 1994
    Landow, George P and Paul Delaney (eds.). The Digital Word: Text-Based Computing in the Humanities. Cambridge: MIT Press, 1993
    Lanham, Richard A. The Electric Word: Democracy, Technology and the Arts. Chicago: University of Chicago Press, 1993
    Meadows, Mark.   Pause & Effect: The Art of Interactive Narrative. New Riders, Indianapolis, IA, U.S., 2002  information
    Morris, Adalaide, Thomas Swiss(eds) New Media Poetics: Contexts, Technotexts and Theories. MIT Press, Massachusetts, 2006.
    Murray, Janet H. Hamlet on the Holodeck : The Future of Narrative in Cyberspace. New York: Free Press, 1997
    Neilson, Jakob. Multimedia and Hypertext: The Internet and Beyond. Cambridge, MA, AP Professional, 1996
    Tuman, Myron C (ed.) Literacy Online: The Promise (and Peril) of Reading and Writing on Computers. Pittsburgh: University of Pittsburgh Press, 1992
    Wardrip-Fruin,Noah   and Pat Harrigan, Editors. First Person: New Media as Story, Performance and Game
    .

    Reflections on Digital Aesthetics, Video, Cinema


    D'Agostino, Peter and David Tafler (eds.) Transmission: Theory and Practice for a New Television Aesthetics, rev ed., New York: Sage,1995.
    Couchot, Edmond. La technologie dans l??art; de la photographie la reealite virtuelle, Paris: Ed Jacqueline Chambon, 1998
    Dovey, Jon (ed.) Fractal Dreams: New Media in Social Context. London: Lawrence and Wishart, 1996
    Hall, Doug and Sally-Jo Fifer (eds.) Illuminating Video: An Essential Guide to Video Art, New York: Aperture/Bay Area Video Coalition, 1990
    Hayward, Philip and Tana Wollen (eds.) Future Visions: New Technologies of the Screen. London: BFI , 1993,
    Le Grice,Malcolm. Experimental Cinema in the Digital Age. Berkeley:University of California Press,2002
    Lister, Martin. The Photographic Image in Digital Culture. London: Routledge, 1995
    Lev Manovich and Andreas Kratky. Soft Cinema: Navigating the Database. MIT PRess, 2005 (dvd)
    Mitchell, William J. The Reconfigured Eye: Visual Truth in the Post-Photographic Era, Cambridge: MIT Press, 1992
    Ritchin, Fred. In Our Own Image: The Coming Revolution in Photography. New York: Aperture Foundation, 1990.
    * Wombell, Paul (ed.) Photovideo: Photography in the Age of the Computer, London: Rivers Oram Press,1991
     

    Virtual Reality

    Benedikt, Michael (ed.) Cyberspace: First Steps, Cambridge: MIT Press, 1994
    Franck , Karen A   When I Enter Virtual Reality, What Body Will I Leave Behind?
    Heim, Michael. The Metaphysics of Virtual Reality. New York : Oxford University Press, 1993
    Helsel, S.K. and J.P. Roth (eds.) Virtual Reality: Theory, Practice and Promise, Westport Conn: Meckler, 1991
    Loeffler, Carl, 1994. Virtual Reality Casebook. New York: Van Norstrand, 1994
    Markley, Robert (ed.) Virtual Realities and their Discontents. .Baltimore: Johns Hopkins University Press, 1996
    Morley, David and Kevin Robins. Spaces of Identity: Global Media, Electronic Landscapes and Cultural Boundaries. London:Routledge, 1995
    London.
    Moser, Mary & Douglas MacLeod. Immersed in Technology. Cambridge: MIT Press, 1996
    Pool, Ithiel de Sola. Technology Without Boundaries: On Telecommunications in a Global Age, Cambridge: Harvard University Press, 1990
    Rhinegold, H , Virtual Reality, New York: Simon and Schuster, 1991
    Shuler, Douglas. New Community Networks: Wired for Change. Reading MA: Addison Wesley,1996
    Thalmann, Nadia Magenat and Daniel Thalmann. Virtual Worlds and Multimedia, New York: John Wiley, 1993
    Benjamin Woolley, Virtual Worlds: A Journey in Hype and Hyperreality . Oxford: Blackwell, 1992
     

    Sound Arts

    (see also art and technology/art and computers section above for computer music books)
    Apple, Jacki and Helen Thorington. Breaking The Broadcast Barrier. Radio Art 1980-1994 . New York: New American Radio, 1996
    Augaitis, Daina and Dan Lander. Radio Rethink. Banff: Walter Phillips Gallery, 1994
    Barry Blesser and Linda-Ruth Salter - Spaces Speak, Are You Listening?   MIT Press.  Cambridge,
    Braun, Hans-Joachim.  Music and Technology in the Twentieth Century.  Johns Hopkins Univ. Press, Baltimore, 2002
    Evens, Aden.  Sound Ideas: Music, Machines, and Experience. University of Minnesota Press, Minneapolis, 2005
    Galeyev, Bulat (ed). Prostranstvennaja Musica (Spatial Music). FAN Publishers, Kazan, Russia, 2004
    Kahn, Douglas and Gregory Whitehead (eds). Wireless Imagination. Cambridge: MIT Press:, 1992
    Kahn, Douglas.  Noise, Water, Meat: A History of sound in the Arts.  MIT Press, 2001
    Weiss, Allen (ed.)  Experimental Sound and Radio.  MIT Press, 2001
     
     
    rev 4/15/08